"It still troubles me whether it's a story I have the right to tell."
When Helen Rye created a piece of flash fiction adapted from a painstakingly researched monologue in a community theatre play, she didn’t expect it would catapult her into the literary world. Now, she considers that story, its success, and the people that inspired the tragic title. A humble, thought provoking piece that explores how our achievements are sometimes hard to accept.
Helen Rye is a writer from Norwich, UK, where she lives with her six-year-old daughter. She has won the Bath Flash Fiction Award and the Reflex Fiction prize, and been nominated for Best Small Fictions 2017 and 2018. Her stories have appeared in various places online and in print. Her flash Sleep Is A Beautiful Colour was the title story for the 2017 National Flash Fiction Day Anthology. She is on the editorial board of Ellipsis Zine and is a brand new fiction editor for Lighthouse Literary Journal.
Helen's story One In Twenty Three is reproduced below.
One In Twenty-Three.
Our land was beautiful. You should have seen the cherry blossom in the springtime, the foot of our mountain was clothed in it. And the sweetness of the figs in autumn – there is nothing like it anywhere.
Figs were our country’s first gift to the world. Anzuki, Halabi, Bouksati, Oubied - such poetry there is in the names, and in the soft, ripened flesh you could taste the warmth of the sun that falls on the land of my grandfather’s fathers.
We burnt the trees to keep our child from dying of cold, the winter after the power went down. My husband wept as he carried the branches from the orchard, but the snows were coming and we had nothing left to burn.
He spared one.
The last fruit was ripe on its branches and the leaves had almost gone, the day the rebels took him away.
I took my son to my sister in the city, but then the bombs came. They fell on the library. On the marketplace. On the internet café at the corner of the next street. On the hospital. On the people who were fleeing from the hospital.
Our lives compressed to the twelve-metre span of this boat.
I called my son Ocean, because once I loved the sea. Now our land lies scorched and turned toward the earth, and ten thousand have fallen like leaves beneath these waters.
Did you know that the fig is not really a fruit? No, it is a flower that has turned in on itself, so that all of the beauty and goodness lies hidden on the inside. All the colour that could in another life have become bright petals is wrapped in darkness, away from the world. But it is in there.
It is in there.